More energies…

I finished ( at least I think I did lol) the latest large painting. A mass of energy directed onto the canvas, this one is what it is and the responses to it have been interesting and diverse, which is what all art should evoke. At 40 by 60, with the bold colours and movement, it is not for the weak of heart, or for those who favour more subdued colours or scenes, but I love it…I think…unless I work on it more. Unfortunately, it has been difficult to get a photo that captures the essence of it live as the light tends to play with the layering of glazes and changes the colours and the details.

untitled-View 1 oil on canvas 40/60 knives

untitled-View 1
oil on canvas
40/60
knives

Untitled-View 2 Different light Oil on canvas 40/60 Knives

Untitled-View 2
Different light
Oil on canvas
40/60
Knives

And something that harkens back to the series I have been playing with. This one shows the complimentary yet conflicting energies that sometimes we deal with in our souls.

Energies Oil on Canvas Knives

Energies
Oil on Canvas
Knives

Energies

After a while of different directions (turtles, moose, aboriginal inspired styles), I found myself swinging back to the knives. I had a need to return to bolder, bigger, more movement. There were energies at play, building, waiting to be told in giant stories with broad strokes, energetic slashes and colour, colour and more colour.

Awakenings was the first to emerge, followed by Vertigo, the largest canvas to date that I have worked on, almost as tall as I am. Both of these are going to TAG Art Gallery in St Catherines, along with Ghost Spirit and others.

The last one is untitled to date as it is still a work in progress, but it is pure energy, an explosion of colour. We will see where that one ends up, but channeling energies seems to be where I will be playing for the next while.

Awakenings Oil on Canvas

Awakenings
Oil on Canvas

Vertigo Oil on Canvas

Vertigo
Oil on Canvas

Size perspective-artist and Vertigo

Size perspective-artist and Vertigo

Untitled-Unfinished yet

Untitled-Unfinished yet

Have you ever?

There are so many things that I would like to capture on canvas-so many things I would like to try.

Have you ever wanted to paint a full wall? Take a blank slate and just cover it in colour? A huge canvas and just set yourself free and smoosh, and splatter? What about taking the canvas and becoming the implement that paints, use your hands, your feet, your whole body to immerse yourself in the process so that you and the canvas become one.

Have you ever wanted to paint the smell of spring rain? The sound of the loons on the lake as it stills and reflects during the magic hour? The smell of the wood smoke from the sauna-the anticipation of relaxation before the plunge into the chill water that refreshed and rejuvenated the soul? The hush in the forest in winter when giant snowflakes drifting delicately to the ground is the only sound you will hear? The sound of a child’s laughter-the full belly kind that is pure unabashed joy? The feeling you get when you play with little baby toes and fingers? That kiss at the moment where things click and you melt? The warmth of a hug where all you need is the strength of the arms around you? The taste of tears? That deep satisfying moment where you are sitting with someone and not saying a word, and everything is good in the world?

Oh the things left to try.

And I found another moose at 4am…

Apparently, once again, sleep deprivation leads to interesting things. The moose, which was a sketch, and then a sketch on canvas, and then some colours here and there, came full circle at 4 am. There are still some more details and finishing touches, but it appears that this is the direction I am going in for a while yet.

Moose

Moose

The latest in the new series…

Apparently, when most people are sleeping, I am up at 3 am. And like anyone else, I did what any other good little artist would do when sleep is evasive…I finished off another painting. Still playing around with different aboriginal influences, this one has a lot more details. Maybe lack of sleep. Maybe whole new direction. Still needs some finishing touch ups due to caffeine induced shaky hand lol. Will see what the moose ends up looking like after I get a nap or two in.

gecko

New Year Sale!

Once again, with the new year, comes new things. However, in order to make room for new things, new styles, new fun, i need to downsize some of the pieces currently taking up residence in my limited studio space.

All works not currently associated with a gallery are on sale up to 40% off. If there is a piece that you have been eyeing up, send me a message with the title, and I will send you details regarding prices. Please note that prices do not include shipping. Pieces can be shipped on the stretcher bars, or I have successfully shipped different pieces around the world by taking them off the stretcher frame, rolling and sending. That would mean, however, that you would have to get them re-stretched, or framed accordingly. Please also check for import fees depending on your country.

A moose is a moose…unless it is a piece of art…

I have this tendency to do “interesting” er, ¬†ahem, things and perhaps things that regular folks don’t tend to do, like use doors and regular old rocks for mosaics, or driftwood for wall art. I truly believe that allowing the creative process to break free in unique ways is part of not only my spirit and soul as an artist, but also part of my duty as an educator. One of my students proved to enjoy making overly large paper mache items. When it came time for our winter themed creations, with visions of all things Canadiana and Christmas bouncing around in my brain, out of my mouth popped, “so___, how would you like to make a moose?” A MOOSE?!? sigh..silly me for within 15 minutes he had taken a rather large garbage bag, stuffed it, and had it shaped for the rather enormous, almost life-sized head of well, a MOOSE! What to do, what to do…and I mean really, what do you do with an almost life-sized head of a moose when working within the confines of a classroom space and a number of other students, other projects etc. When in doubt, get someone who knows how to build things. A colleague of mine fashioned a small pony sized wooden saw horse to use a substrate and the real work began, scaling down the head somewhat, adding paper, sculpting with more paper and tape, adding antlers and ears, then layer after layer of gooey wet paper to seal the thing together. A coat of gesso and it appears ready to go. Even if not the most anatomically correct, it is rather LARGE and rather cute, my little albino classroom companion. The next steps involved figuring out what to do with him. Should I/we paint him in a realistic manner? Should he be turned into an interpretation? If you have ever been lucky enough to see the moose in Toronto, those fabulous artistic creations, then you would know the dilemma. In the end, we decided to go with a First Nations art influence and celebrate our Canadian First Peoples. From Ontario, we are interpreting the Woodland School style and from the west most definitely some Haida. When it is complete, is should be a figure standing for both our environment and people…we shall see what unfolds as we progress. Note to self, never, ever make suggestions when the mind is occupied with things or the heavens know it we will be building giant elephants and rain forests.